Showing posts with label afro-brazilian. Show all posts
Showing posts with label afro-brazilian. Show all posts

Friday, June 20, 2014

adventures of a cycling hunter-gatherer tribe

Quietly he sneaks up on the little hamlet on a dirt track just of the main road. It helps to have your gear tied down and oiled up when you want to be quiet. You never know if you should let the potential host know you are coming, or be prepared to quietly escape from a bad situation. What will be the better strategy? All we need is a space out of sight so we can sleep in peace and not worry about our bikes too much. If we are able to cook some of us usually go vegetable hunting. Others would rather gut a goat.

All of us had expectations when we started the B2B journey. We thought we would become capoeira super heroes  – sorry, nope.  We thought we would learn how to compose Berimbau Symphonies – not likely. We thought it would be a grand honor and lifetime opportunity to ride with a Capoeira legend like Mestre Acordeon – ok, of course. Impressions of lands and peoples are countless. Any of us could probably go on for hours about all the things we have seen. Some of these expectations were over rated, some of them were true, and some other things we just did not expect at all. As we say in German “Erstens kommt es anders, und zweitens als man denkt”.


For example what it means to live in a modern day hunter gatherer tribe. Not an experience most of us expected to make. Let me describe our normal to you.

After having found save sleeping quarters, cooked and eaten whatever food we managed to find we sleep until just before sunrise. Often we are in a large shared room, at a fire station, at a municipal building, in a gym or in a jail. I miss sleeping on the beach.

 

 It’s hot in Central America, we sleep on the hard floor with a sarong as a blanket or in a hammock, most of us have gotten rid of mats, tents or sleeping bags. We rise from our makeshift beds and start making one or another type of breakfast, packing and cooking simultaneously. Usually there are groups of twos or more that share cooking. Depending on mood and availability we share our different foods. Everybody keeps an eye on Mestre’s progress - that’s how we know when we leave. When we move our steel-horses out on the road we tie down our saddle bags, check the hoofs and the lube and start riding out into the very early morning. Usually, we are the first ones on the road riding through fog and wood fire smoke, past slowly waking up fields and animals. Picture this quiet caravan, gently rolling through verdant landscapes. We ride all day and only take breaks during the heat of mid-day.


We have been doing this for nine months. We have shared food, bedding, hardship and the risks of the road less traveled 24/7. We all know each other’s habits like who you can chat to before they have had their cup of coffee and who is functional at what time of the day. How fast and far we can ride and who does better in the heat or in the cold. For better or worse we are as close to a modern hunter gatherer tribe as you can find. One with service-less cell phones and sporadic internet connections.

What does it all mean? Do we groom each other's pelts and munch on each other’s fleas? (uhm, only a couple of us) Do we have a dominant male and everyone else tries to take his place? (yes and no) We don't fight over our two females, they are in good hands. How do group dynamics function and do we display changed behavioral patterns compared to our previous US west-coast background? 


This changed way of life changes us. Almost naturally our emotional connections have taken on a subconscious strength. We more and more resemble cultures with less individualistic points of view. Because of our shared capoeira back ground we may take to this group life more naturally. We also always try to flow with the circumstance, stay present. We don’t know dates or days of the week. Sometimes we are even in the wrong month. When we are confronted with the real world’s schedules and deadlines we are startled.  We wonder why it all doesn’t just flow in a common and sense making rhythm, hopefully according to seasons and the moon.

When we meet other bicycle touring people they are often surprised that we manage to keep the peace amongst so many of us. They are used to either being loners or democratic ways, majority rule for all decisions. We don’t have this problem. Mestre Acordeon looks for our input but in the end makes the decisions alone. Why is it so easy to accept this? None of us seem to have an issue with not having any real say about where we go, how long we stay or other common travel conflict points. All we care about is food, sleep, capoeira and keeping moving towards our shared goals. This is a marked difference to our daily existence back home where our days are filled with indivuality and constant decision making processes.

I personally did not think it would be so beautiful, easy and even peaceful to fall back into pack mode. To know each other’s strengths and weaknesses. To move as one and rely on each other. Are these instincts so close to our emotional surface, still, after all these millennia of civilization? Would we be happier to live this way even today instead of in our highly individualized cultures? In a tribe of our choosing, of a good size and with not too much gossip?

Do you miss your tribe without knowing it?

Saturday, April 26, 2014

the power of capoeira

What if Slavery did not exist? What if this human evil never was? No African slaves in the Middle East. No Arabic eunuchs in historic China. No slaves in the Americas. No sex slaves in today’s Asia or central Europe. No slave-like work conditions in under developed countries around the world. No slavery. Period.

A beautiful thought. An alternative universe. Someone should write a novel about it. Yet it is risky to handle a topic that carries such heavy emotional weight. One very big geopolitical question immediately arises. Would the West have developed its current dominance without milking the colonies using slave labor? This question is of course interesting, in particular considering the countries B2B currently travels through, but for now I would like to concentrate on the “somewhat” less controversial connection to Capoeira.



Only one very simple, yet powerful question remains in this context. Would there be Capoeira? Would Capoeira, this art form that allows people everywhere to express themselves freely, that forms such strong communities wherever it goes, undergo this powerful diaspora out of Brazil?

You may believe that Afro Brazilian slaves fought their overseers using Capoeira, or that Capoeira developed much later in the harbor towns of Bahia. This complicated history is shrouded in undocumented mysteries. We mostly just don’t know. In the end what matters is that Capoeira’s roots reach back to Mae Afrika. The people who practiced Capoeira in Brazil, the way Capoeiristas move and the rhythms all point to that far away mother land.

When you ask a Capoeirista why they dedicate so much of their time to it - what makes Capoeira their home - it will not be long before they mention community and love. The group that supports them. The sisters they look up to as role models. The parents they had lost. The family. The Roda. Because of this community forming power and because many Capoeiristas discover new approaches to life through their practice we speak of Capoeira’s extraordinary ability to transform lives.

In Capoeira we travel to our brother and sister groups to attend their events, and they come to ours in return. During these events we treat each other like one big family. We don’t put them up in hotels and let them fend for themselves, the way it is if you attend a sports tournament. We ask them to sleep at our places, we cook for them, we pick them up from the airport and drive them around all day long. We show them the town, take them to cool night spots and try to meet all their needs. And we beat the stuffing out of each other in Capoeira workshops, eight hours a day. Do this for a few years, and suddenly your Capoeira family extends across the continent. Many of us can go to five different cities in the country and have people to hug and a place to stay. B2B in particular is blessed this way. There are no words that can describe the hospitality we receive on our journey. “Mi casa es su casa” simply does not do justice.

Yet the biggest transformation that Capoeira affects is not on a personal level. It is to transform a great human evil into a great human force for love, for positive change. Capoeira comes from slavery yet today spreads joy, art and community.

Born out of hatred, forged into love.

Even though Capoeira to this day is often carried to new shores via the dark and dangerous ghettos of Brazil, it arrives carrying a message of community and love. Maybe it is the pressure from the new environments that forces our Mestres to let the more martial aspects of Capoeira go. But we can not deny the all-enveloping family that these leaders attempt to create.

Inside of Capoeira we know this. It is our daily bread and salt. If you dedicate your life to our art you will end up spreading the good word to whoever will listen. You will start your own Capoeira school somewhere and hope there is fertile ground for it. If you are from Brazil you will pack your bags, move to Austria or Russia and bemoan your freezing bones. You will follow your dream to the USA, or to Australia and Asia, and you will wonder at the cold, distant nature of the strangers around you. Yet, you will start with a little seed of a germ of a plant of a tree of a Capoeira Akademia. You will BBQ and make Caipirinhas with your students, you will help each other move. You will be best men and brides maids at each other’s weddings and help raise each other’s children. Small communities will form around your Akademia. Every day you will sweat, kick each other and learn together. You will feel the power of focused synergistic human energy in the roda. Your group will become your tribe.

Born in shackles, forged into freedom.

Capoeira has room for all. There are as many styles of jingas as there are Capoeiristas. Although your Mestre will try his best, and for years, to teach you his correct version, in the end he will tell you that your Capoeira is your Capoeira. And that the way you express it is your freedom. It is a simple yet difficult to understand concept. The easiest way would be to watch a Roda and pay attention to the intention of the players. Their personalities emerge quickly. Don’t be distracted by the flashy moves and the backflips. Some smile constantly, as if something is tickling them. Others seem to be very playful but it is only a mask. Others yet again play very direct and to the point. For women, the great advantage of Capoeira is that they do not need to rely on pure strength for the effectiveness of their game. Speed, flexibility and use of space are just as valid a weapon. Some will never hit you, while others can’t wait for the chance. Know a person’s Capoeira and you will know them. And in that variety we all find our own personal expression, our freedom. Our opportunity to be ourselves in a much too straight-jacketed world.

Whatever race is yours, whatever creed you follow, whatever levels of individuality you adhere to, if you enter a Roda boa you will be a part of it for the rest of your life. It addresses a basic human need to be part of a kin in a deeply ritualistic and yet realistic manner. The process of making music, of focusing our combined energy, the sweat and blood we spend each day, bind us together. Why? That is probably better answered by ancient knowledge or simply through being human. The good thing is that you do not need to believe it to experience it. All you need to do is play.

And follow one of the Mestres eking out a living trying to get people to sing a damn song in Portuguese. So that there may grow a small seed of love in a barren concrete ghetto, in a soul-less school of drones, in a world that too easily forgets our tribal human roots.

Mestre Xuxo, in what must be an Austrian ball room

Maybe you are lucky and are in one of the 5 different Akademias across 4 different states in Austria that Mestre Xuxo teaches in and drives hundreds of kilometers to every week. Maybe you are an alumni of Mestre Pelourinho who managed to convince the United States of America immigration Agency, a notoriously flexible bunch, to give this amazingly bendy and impressive, big haired Brasilero a visa that enables him to teach both in Tijuana and San Diego on the same day.

Mestre Pelourinho in San Diego and Tijuana

Maybe you are part of one the tens, if not hundreds, of small capoeira groups across Central America who yearn for a Mestre but only have Mestre Youtube or themselves to learn from. Or you are Professor Arame, a stringy beanstalk-like Mexican Capoeirista, and you move to Lebanon and teach Capoeira to refugee children and battered, abused girls in NGOs across the Middle East.


Bidna Capoeira and Prof. Arame changing lives in the Middle East.

What these Capoeiristas all have in common is an astonishing appreciation for their students. They make their daily struggles worthwhile. As one they tell you “I do this for my students. I love to see them grow, change their approach to life and finally become Capoeiristas. I don’t need money, I don’t need fame. What I need is my family. And my freedom.”


Friday, November 22, 2013

California Capoeira

Capoeira is not big in the USA. It has been steadily growing for 30 years. But anyone who is trying to run a Capoeira Akademia will tell you that it is difficult to survive in this business. We don't have the national and international organizations that help other martial arts and sports with promotion and visibility. Crossfit is a good example. Individual gyms profit enormously from the marketing and advertising output of national organizations. Everybody in the States knows what Crossfit is.

Ask someone what Capoeira is. Most people don't know and the ones that try, make us cringe with attempts to classify a martial art as a dance. But it's not them, its us. What it comes down to is that we have many Capoeira small schools fighting to survive in an ocean filled with international Karate, Crossfit and Zumba sharks, who are all out to claim the few fitness dollars a person is willing to spend.

But California is different. Here we have UCA and Batuque. Two of the first Capoeira groups in the USA. Founded by Mestre Acordeon and Mestre Amen. Open Rodas everywhere. 'nuff said. Of course there is also Capoeira Brasil, of Mestre Boneco. But although the group is huge and international it is not of California.

So when we travel down the California coast line, while its not Bahia, we still find a lot of Capoeira. And because we have this crazy group of really good Capoeiristas we play a lot of Capoeira. On the side of the road, in parking lots, on the beach, in akademias, in parks and at Batizados. Its totally amazing and I feel incredibly lucky to be here. And its also extremely frustrating. How can that be? Its Capoeira heaven.

Because I can't play. My hip flexor has been acting like a rusted jackknife, although the biking is fixing it. I injure my wrist and the biking is making it worse. But more importantly, I am a confused Capoeirista. Why? I train with Professor Fenix and Candeias in Seattle. We practice a different capoeira than UCA does. Our Jinga is different. Also with only three years in Capoeira I am, and will be for a long time to come, a big capoeira baby. At some point, rolling down the coast on my ridiculous recumbent, I realize that this is a 24/7 batizado environment. I'm a nerd, I over-function. Bebum tells me to STFU and just play.

You know how when you go to another group's batizado you feel like a beginner? In a workshop you learn a kick and rastera combo but it just doesn't compute for you? This happens to everyone and it is why its so important to travel in Capoeira. I have seen instructors looking like total noobs trying to figure out the timing of a rastera option because they have not practiced that particular one all their lives.

Of course this is great. It shows that we are all human and we are always learning. It shows the willingness of our instructors to be beginners over and over again. It teaches us versatility and improves our games. It enables us to go home to our own group and beat someone's ass with a move they haven't seen before. It keeps us real because we know there is always someone out there who is not necessarily better or faster, but who will still be able to put you on your ass. And finally, it continuously challenges us. An important ingredient for my own personal happiness.

All of this is great at a Batizado, but when it is for a month straight... not so much. I let it make me into a confused Capoeirista. Should I do this jinga all bouncy now, so that I can accelerate off my backfoot better? Should I try that esquiva at a martelo even though I feel like its going to get my head taken off? And how the hell am I supposed to do anything without my wrist? The one and good constant that remained was "Arms up Pirata"! I ended up watching a lot of games. And listening. Which is entirely appropriate and not because I got to watch Mestre Beiramar and Mestre Mago go at it every day. Although that's pretty badass. I learn the first of many things about Capeoira on this journey.

"Learn by watching other people play" - not something we like to do. Not something we are often told to do. We are told to play, play, play, because the Roda is where your game really develops. But there is a lot of value in watching other people play. Good players, bad players, everyone. Watch them with your capoeira eyes and learn. No pride, no envy, no stinginess. Capoeira is one of the most complex things anyone can attempt. It behooves us to learn by watching because that's what babies do. I won't really learn anything by playing Mestre Beiramar, other than that I am able to easily bore the shit out of him. Nothing that he wouldn't rather have someone else teach me. But I sure as hell learn a lot by watching him.

I was still confused until I talked to Mestre about it a couple of weeks ago. He said "Well... you can't be confused". Weirdly, probably more to me than to him, that's all I needed. I'll just STFU and play.